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A problem persists with regard to the Douanier Rousseau. Admired by artists at the turn of the century (Pablo Picasso, Robert Delaunay, Wassily Kandinsky, Constantin Brancusi, and others), and defended by the same writers (led by Guillaume Apollinaire and Blaise Cendrars) who defended them, he is still difficult to fit into what we call modern art. Thus in 1918, after having cited the precursors of Cubism and modern painting, Amedee Ozenfant and C. E. Jeanneret (who was not yet calling himself Le Corbusier) stated: "No need to include among [them] the Douanier Rousseau, one of the most charming painters of the period, for his art was purely traditional."' A similar judgment was handed down by Ribemont Dessaignes, who was active in the Dada movement... [Read More] |
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